Artists we approve of.


PROFANATICA/HAVOHEJ
(United States, c. late '80s-early '90s)
america's most blackest coprophagists.

ILHAN MIMAROGLU
(Turkey, b. 1926)
the turkish annihilator of electronic music.

THE DEADBEATS
(United States, ca. 1977-79)
kill the hippies.

ALFRED SCHNITTKE
(b. 1934, d. 199?)
throw all that shit in there and see what it sounds like.

THE SWEET
(b. Great Britain, circa late '60s)
if we don't fuck you, then someone else will.

KRISIUN
(South America, b. late '80s?)
the faster the devil's music becomes, the slower it sounds.

DENARDO COLEMAN
(United States, b. 1957?)
soul has nothing to do with keeping a beat.

NITRO
(United States, circa late '80s - early '90s)
no effects -- just bad boy motherfuckin' balls.

IANNIS XENAKIS
(b. Romania, 1922)
nobody can fuckin' touch my man.

IN/HUMANITY
(United States, b. mid '90s)
perhaps a bit smarter than the rest - bud stil brudle.

JAMES CHANCE
(b. James Siegfried, United States, 1955?)
you can't hurt me because I'm willing to hurt myself.

ARTHUR BROWN
(Great Britain, b. 19??)
life without psychedelics is not worth living.

HERMANN NITSCH
(b. Austria, 1938)
bloodletting ritual and magick beyond this realm.

MAYHEM
(Norway, b. 1985)
from total blasphemy to fusion utopia.

CHARLES IVES
(United States, 1874-1954)
sell insurance instead of composing -- the money's better.

KONGRESS
(United States, c.1976-late '80)
satanic rites and acid reality.

ALBERT AYLER
(United States, 1936-1970)
whoa whoa to he that makes a Salvation Army marching band on acid.



more tributes soon. wanna send some???

house is not a home